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  • BIOGRAPHY
  • 박서보 / 朴栖甫 / Park, Seo-bo
  • 1931.11.15 ~ 대한민국 미술가
  • 1950년대 후반 프랑스의 앵포르멜 운동에 앞장섰으며, 이를 바탕으로 원형질(原形質) 연작을 발표했다. 1960년대 중반 이후로는 허상 (虛像) 연작을 통해 현대인의 번잡스러운 형상을 다루었으며, 1970년대 부터 묘법(描法) 회화를 추구하였다.
Park Seo-Bo was born in Yecheon in Kyoungbuk Province, Korea in 1931 and grew up in Ansung in Kyoungki Province. He studied Western painting at Hongik University, and after graduating in 1954, he started his artistic career with the Anti-Kukjeon Declaration in which he repudiated the Kukjeon artists' aesthetics challenging their artistic conscious and perspective of society. The work Painting no.1(1957) resolutely signals Park Seo-Bo's vanguard attitude towards the making of idealistic images of the Kukjeon artists. Primordialis No.62-3 and Primordialis no.1-62 in 1962, and Hereditarius no.1-68 in 1968 provide critical clues in analysing a conceptual transition of his works that lay a coherent foundation for his oeuvre.
  • ARTWORK
  • Ecriture(描法) No.060923
  • Mixed Media
    with Korean Paper on Canvas
    162cm x 195cm / 2006
  • PUBLICATION
  • Le Journal des Arts
  • n°424 - 28 novembre 2014
Park Seo-Bo :
L’acte de répétition permet de me libérer vraiment

Le peintre coréen, Park Seo-Bo, membre du Dansaekhwa, présente sa version du minimalisme.
À Paris, la galerie Emmanuel Perrotin invite à explorer la peinture du Coréen Park Seo-Bo, membre du mouvement Dansaekhwa amorcé dans les années 1960 qui, depuis quelques mois, fait l’objet d’une redécouverte. Vous avez commencé dans les années 1960 une série de tableaux intitulée « Écritures », que vous poursuivez aujourd’hui encore mais qui montre d’importantes évolutions. Ce terme se réfère-t-il à l’élaboration d’un langage abstrait ? Oui, il s’agit d’un langage abstrait en effet, mais je [...]